HAPIVERI Magazine

衣笠貞之助の演出美学|映画表現を映像制作の構図・編集に活かす視点

Teinosuke Kinugasa’s Directing Aesthetics: Appl...

Teinosuke Kinugasa’s experience as a Kabuki onnagata, a performer of female roles, strongly underlies his directing style. Kabuki’s influence is particularly evident in his emphasis on stylized beauty in emotional...

Teinosuke Kinugasa’s Directing Aesthetics: Appl...

Teinosuke Kinugasa’s experience as a Kabuki onnagata, a performer of female roles, strongly underlies his directing style. Kabuki’s influence is particularly evident in his emphasis on stylized beauty in emotional...

前衛映画の金字塔「狂った一頁」―失われた傑作の復活

A Page of Madness, a Landmark of Avant-Garde Ci...

Produced in 1926, A Page of Madness, originally titled Kyoso no Chi, is an avant-garde silent film made by Teinosuke Kinugasa in collaboration with Yasunari Kawabata and other writers of...

A Page of Madness, a Landmark of Avant-Garde Ci...

Produced in 1926, A Page of Madness, originally titled Kyoso no Chi, is an avant-garde silent film made by Teinosuke Kinugasa in collaboration with Yasunari Kawabata and other writers of...

日本映画の先駆者 衣笠貞之助の歩み

The Journey of Japanese Cinema Pioneer Teinosuk...

Born in Wakayama Prefecture in 1896, the 29th year of the Meiji era, Teinosuke Kinugasa was familiar with the performing arts from childhood. His father was an impresario at a...

The Journey of Japanese Cinema Pioneer Teinosuk...

Born in Wakayama Prefecture in 1896, the 29th year of the Meiji era, Teinosuke Kinugasa was familiar with the performing arts from childhood. His father was an impresario at a...

石井裕也監督『愛にイナズマ』を語る

Discussing Director Yuya Ishii's Masked Hearts

Yuya Ishii is a master of Japanese cinema known for works that skillfully move across the boundary between reality and fiction. His latest film, Masked Hearts, likewise showcases his characteristic...

Discussing Director Yuya Ishii's Masked Hearts

Yuya Ishii is a master of Japanese cinema known for works that skillfully move across the boundary between reality and fiction. His latest film, Masked Hearts, likewise showcases his characteristic...

市川崑の演出方法と映画技法

Kon Ichikawa's Directing Methods and Film Techn...

Kon Ichikawa had a highly distinctive approach to filmmaking. His direction showed attention to the smallest details in order to leave a deep impression on the audience. He focused not...

Kon Ichikawa's Directing Methods and Film Techn...

Kon Ichikawa had a highly distinctive approach to filmmaking. His direction showed attention to the smallest details in order to leave a deep impression on the audience. He focused not...

市川崑の代表作とその特色2:『ビルマの竪琴』や『黒い十人の女』

Kon Ichikawa's Notable Films and Their Characte...

Many of Kon Ichikawa's films strongly reflect his versatility. The Burmese Harp (1956) and Ten Dark Women (1961) in particular continue to leave powerful impressions through their rich expression and...

Kon Ichikawa's Notable Films and Their Characte...

Many of Kon Ichikawa's films strongly reflect his versatility. The Burmese Harp (1956) and Ten Dark Women (1961) in particular continue to leave powerful impressions through their rich expression and...