HAPIVERI Magazine

岡本喜八『斬る』から学ぶ|反骨精神を動画企画に活かす視点

岡本喜八『斬る』から学ぶ|反骨精神を動画企画に活かす視点

「斬る」は1968年に東宝から公開された岡本喜八監督の時代劇映画です。山本周五郎の「砦山の十七日」を原案にしており、第23回毎日映画コンクール美術賞を受賞しました。この作品は俳優・地井武男の映画初出演作としても知られています。 物語は天保四年(1833年)、空っ風が砂塵を巻き上げる上州の小此木領を舞台に展開します。そこに二人の男がふらりと現れます。一人は「やくざの源太」と名乗る男で、実は二年前に役目上で親友を斬り、武士を捨てた兵頭弥源太(仲代達矢)。もう一人は田畑半次郎(高橋悦史)で、百姓に厭気がさして田畑を売り、武士になろうとしている男です。

岡本喜八『斬る』から学ぶ|反骨精神を動画企画に活かす視点

「斬る」は1968年に東宝から公開された岡本喜八監督の時代劇映画です。山本周五郎の「砦山の十七日」を原案にしており、第23回毎日映画コンクール美術賞を受賞しました。この作品は俳優・地井武男の映画初出演作としても知られています。 物語は天保四年(1833年)、空っ風が砂塵を巻き上げる上州の小此木領を舞台に展開します。そこに二人の男がふらりと現れます。一人は「やくざの源太」と名乗る男で、実は二年前に役目上で親友を斬り、武士を捨てた兵頭弥源太(仲代達矢)。もう一人は田畑半次郎(高橋悦史)で、百姓に厭気がさして田畑を売り、武士になろうとしている男です。

西村喜廣『ヘルドライバー』から学ぶ|特殊表現を動画企画に活かす

Learning from Yoshihiro Nishimura's Helldriver:...

Helldriver is a zombie action film made in 2010 by Yoshihiro Nishimura, who gained worldwide attention with Tokyo Gore Police, and released in Japan on July 23, 2011. Characterized by...

Learning from Yoshihiro Nishimura's Helldriver:...

Helldriver is a zombie action film made in 2010 by Yoshihiro Nishimura, who gained worldwide attention with Tokyo Gore Police, and released in Japan on July 23, 2011. Characterized by...

少年たちの王国:井筒和幸「ガキ帝国」が描く原風景

A Kingdom of Boys: The Formative Landscape of K...

Produced in 1981 as Kazuyuki Izutsu’s feature debut, Empire of Kids is a strongly autobiographical film based on the director’s own childhood experiences. Set in Osaka’s Ikuno district in the...

A Kingdom of Boys: The Formative Landscape of K...

Produced in 1981 as Kazuyuki Izutsu’s feature debut, Empire of Kids is a strongly autobiographical film based on the director’s own childhood experiences. Set in Osaka’s Ikuno district in the...

独自のシネマ世界を紡ぎ出す魔術師 - 川島雄三の映像表現

A Magician Weaving a Distinctive Cinematic Worl...

One director stood out with a distinctive presence in Japanese cinema during the 1950s and 1960s. His attention was always directed toward ordinary people's daily lives, and he excelled at...

A Magician Weaving a Distinctive Cinematic Worl...

One director stood out with a distinctive presence in Japanese cinema during the 1950s and 1960s. His attention was always directed toward ordinary people's daily lives, and he excelled at...

内なる炎を映す技法:内田吐夢監督の映像表現の神髄

Techniques That Reveal the Inner Fire: The Esse...

The defining characteristic of director Tomu Uchida’s visual expression is its remarkable fusion of rigorously unsentimental realism with surprisingly delicate poetry. Viewers of his films are first overwhelmed by their...

Techniques That Reveal the Inner Fire: The Esse...

The defining characteristic of director Tomu Uchida’s visual expression is its remarkable fusion of rigorously unsentimental realism with surprisingly delicate poetry. Viewers of his films are first overwhelmed by their...

『ドライブ・マイ・カー』から学ぶ|喪失と対話を動画制作に活かす

Learning from Drive My Car: Using Loss and Dial...

Drive My Car is based on the story of the same name in Haruki Murakami's collection Men Without Women. Director Ryusuke Hamaguchi offers his own interpretation of the source's introspective...

Learning from Drive My Car: Using Loss and Dial...

Drive My Car is based on the story of the same name in Haruki Murakami's collection Men Without Women. Director Ryusuke Hamaguchi offers his own interpretation of the source's introspective...