HAPIVERI Magazine
New Forms of Historical Cinema: Human Drama in ...
Historical works in Japanese cinema have taken many forms, including period dramas and biographical films. Director Keishi Otomo, however, depicts history and human drama through new perspectives and visual expression,...
New Forms of Historical Cinema: Human Drama in ...
Historical works in Japanese cinema have taken many forms, including period dramas and biographical films. Director Keishi Otomo, however, depicts history and human drama through new perspectives and visual expression,...
Koji Wakamatsu and the Politics of Cinema: Can ...
Does film exist only for entertainment? Or does it have the power to change society?
Koji Wakamatsu and the Politics of Cinema: Can ...
Does film exist only for entertainment? Or does it have the power to change society?
Isao Takahata and Hayao Miyazaki: Applying Thei...
When people think of Studio Ghibli, many will think of director Hayao Miyazaki. Yet no discussion of Ghibli should ever overlook director Isao Takahata.
Isao Takahata and Hayao Miyazaki: Applying Thei...
When people think of Studio Ghibli, many will think of director Hayao Miyazaki. Yet no discussion of Ghibli should ever overlook director Isao Takahata.
Isao Takahata's Everyday Portrayals: Applying L...
Animation may bring grand adventures or fantasy to mind. Yet Isao Takahata's films contain no magic or supernatural powers. Instead, they carefully depict ordinary daily life, revealing its small joys...
Isao Takahata's Everyday Portrayals: Applying L...
Animation may bring grand adventures or fantasy to mind. Yet Isao Takahata's films contain no magic or supernatural powers. Instead, they carefully depict ordinary daily life, revealing its small joys...
Tatsumi Kumashiro’s Direction of Silence: Apply...
One of the most distinctive techniques in Tatsumi Kumashiro’s films is effective use of silence. Particularly evident in The Master of the Gensenkan (1968) and Atonement (1976), it successfully expresses...
Tatsumi Kumashiro’s Direction of Silence: Apply...
One of the most distinctive techniques in Tatsumi Kumashiro’s films is effective use of silence. Particularly evident in The Master of the Gensenkan (1968) and Atonement (1976), it successfully expresses...
The Symbolism of Tatsumi Kumashiro's Upbringing...
In Youth of Pretense (Kyoshoku no Seishun), Tatsumi Kumashiro's upbringing is portrayed as a past with a complex, labyrinthine structure. The author deliberately scatters depictions of fragmented memories throughout the...
The Symbolism of Tatsumi Kumashiro's Upbringing...
In Youth of Pretense (Kyoshoku no Seishun), Tatsumi Kumashiro's upbringing is portrayed as a past with a complex, labyrinthine structure. The author deliberately scatters depictions of fragmented memories throughout the...