HAPIVERI Magazine

高畑勲の日常描写|生活感とユーモアを教育動画に活かす

Isao Takahata's Everyday Portrayals: Applying L...

Animation may bring grand adventures or fantasy to mind. Yet Isao Takahata's films contain no magic or supernatural powers. Instead, they carefully depict ordinary daily life, revealing its small joys...

Isao Takahata's Everyday Portrayals: Applying L...

Animation may bring grand adventures or fantasy to mind. Yet Isao Takahata's films contain no magic or supernatural powers. Instead, they carefully depict ordinary daily life, revealing its small joys...

小栗康平の代表作総覧:その軌跡と進化

An Overview of Kohei Oguri's Major Works: His J...

Muddy River (1981) and For Kayako (1984) decisively established Oguri's international reputation. Adapting Teru Miyamoto's work, Muddy River is a psychological drama set in a working-class district of Osaka, depicting...

An Overview of Kohei Oguri's Major Works: His J...

Muddy River (1981) and For Kayako (1984) decisively established Oguri's international reputation. Adapting Teru Miyamoto's work, Muddy River is a psychological drama set in a working-class district of Osaka, depicting...

小栗康平の映画表現|日本映画の革新を動画制作に活かす視点

Kohei Oguri's Film Expression: Applying Innovat...

Muddy River, released in 1981, decisively established Oguri's international reputation. Based on Teru Miyamoto's novel, this psychological drama depicts complex family relationships and a boy's growth in a working-class district...

Kohei Oguri's Film Expression: Applying Innovat...

Muddy River, released in 1981, decisively established Oguri's international reputation. Based on Teru Miyamoto's novel, this psychological drama depicts complex family relationships and a boy's growth in a working-class district...

豊田四郎の人間ドラマ演出|人物描写を企業動画に活かす視点

Shiro Toyoda’s Direction of Human Drama: Applyi...

While telling individual stories, Toyoda always observed the issues of his times and society keenly. In City Lights (1953), he portrayed the contradictions of Japanese society on the eve of...

Shiro Toyoda’s Direction of Human Drama: Applyi...

While telling individual stories, Toyoda always observed the issues of his times and society keenly. In City Lights (1953), he portrayed the contradictions of Japanese society on the eve of...

神代辰巳の静寂演出|無音と緊張感を動画制作に活かす視点

Tatsumi Kumashiro’s Direction of Silence: Apply...

One of the most distinctive techniques in Tatsumi Kumashiro’s films is effective use of silence. Particularly evident in The Master of the Gensenkan (1968) and Atonement (1976), it successfully expresses...

Tatsumi Kumashiro’s Direction of Silence: Apply...

One of the most distinctive techniques in Tatsumi Kumashiro’s films is effective use of silence. Particularly evident in The Master of the Gensenkan (1968) and Atonement (1976), it successfully expresses...

神代辰巳「恋文」の手紙表現|小道具で感情を伝える映像制作の視点

Letters in Tatsumi Kumashiro's Love Letter: Con...

In Tatsumi Kumashiro's Love Letter, letters are portrayed as having symbolic meaning beyond simple communication. The letters exchanged in the film directly convey the characters' emotions and thoughts while also...

Letters in Tatsumi Kumashiro's Love Letter: Con...

In Tatsumi Kumashiro's Love Letter, letters are portrayed as having symbolic meaning beyond simple communication. The letters exchanged in the film directly convey the characters' emotions and thoughts while also...