HAPIVERI Magazine

Howard Hawks's Film Techniques: Applying Cross-Genre Structure to Video Production

Howard Hawks's Film Techniques: Applying Cross-...

Hawks made his directorial debut in the late 1920s and experienced the great transition from silent films to talkies. Even in this period, he already showed a tendency to avoid...

Howard Hawks's Film Techniques: Applying Cross-...

Hawks made his directorial debut in the late 1920s and experienced the great transition from silent films to talkies. Even in this period, he already showed a tendency to avoid...

Toru Takemitsu's Major Film Scores: From Woman in the Dunes to Ran

Toru Takemitsu's Major Film Scores: From Woman ...

Toru Takemitsu's career as a film composer began in earnest with Ko Nakahira's Crazed Fruit in 1956. Based on Shintaro Ishihara's novel, this Nikkatsu youth film portrays the decadence of...

Toru Takemitsu's Major Film Scores: From Woman ...

Toru Takemitsu's career as a film composer began in earnest with Ko Nakahira's Crazed Fruit in 1956. Based on Shintaro Ishihara's novel, this Nikkatsu youth film portrays the decadence of...

Learning Video Direction from Shusuke Kaneko: Applying Cross-Genre Planning to Production

Learning Video Direction from Shusuke Kaneko: A...

A Driving Force of the J-Horror Boom: The Ju-On Series Opened New Forms of Fear Explore the path that established new expressions of fear in horror and created the cultural...

Learning Video Direction from Shusuke Kaneko: A...

A Driving Force of the J-Horror Boom: The Ju-On Series Opened New Forms of Fear Explore the path that established new expressions of fear in horror and created the cultural...

Junya Sato's Cinematic World: Applying Blockbuster Planning to Video Production

Junya Sato's Cinematic World: Applying Blockbus...

Director Junya Sato (1932–2019), known as “Mr. Blockbuster,” was sometimes regarded as a superficial entertainer because of his spectacular large-scale films.

Junya Sato's Cinematic World: Applying Blockbus...

Director Junya Sato (1932–2019), known as “Mr. Blockbuster,” was sometimes regarded as a superficial entertainer because of his spectacular large-scale films.

Junya Sato's Direction of Human Drama: Applying Social Awareness and Structure to Video Production

Junya Sato's Direction of Human Drama: Applying...

The film career of Junya Sato (1932–2019), known as 'Mr. Epic,' possesses a depth that cannot be captured by the image of his glamorous large-scale productions alone.

Junya Sato's Direction of Human Drama: Applying...

The film career of Junya Sato (1932–2019), known as 'Mr. Epic,' possesses a depth that cannot be captured by the image of his glamorous large-scale productions alone.

Visual Expression across Borders: Junya Sato's International Films and Cultural Exchange

Visual Expression across Borders: Junya Sato's ...

Known in Japanese film history as Mr. Epic, Junya Sato (1932–2019) was a rare filmmaker who spent a long career pursuing cross-border perspectives and expression alongside entertainment for domestic audiences.

Visual Expression across Borders: Junya Sato's ...

Known in Japanese film history as Mr. Epic, Junya Sato (1932–2019) was a rare filmmaker who spent a long career pursuing cross-border perspectives and expression alongside entertainment for domestic audiences.