HAPIVERI Magazine

Learning from Masaki Kobayashi's Harakiri: Bringing Composition and Social Engagement into Video Production

Learning from Masaki Kobayashi's Harakiri: Brin...

Seppuku was described as the fulfillment of a samurai's deepest wish. But were its aesthetics and honor truly sincere?

Learning from Masaki Kobayashi's Harakiri: Brin...

Seppuku was described as the fulfillment of a samurai's deepest wish. But were its aesthetics and honor truly sincere?

Learning from Masaki Kobayashi's The Human Condition: Bringing Questions of Peace into Video Production

Learning from Masaki Kobayashi's The Human Cond...

Masaki Kobayashi was one of postwar Japanese cinema's most committed seekers of conscience and ethics. He was a director who confronted war's inhumanity without evasion, inscribing it directly onto the...

Learning from Masaki Kobayashi's The Human Cond...

Masaki Kobayashi was one of postwar Japanese cinema's most committed seekers of conscience and ethics. He was a director who confronted war's inhumanity without evasion, inscribing it directly onto the...

Keishi Otomo Opens the Future of Japanese Cinema: Taking On the International Market

Keishi Otomo Opens the Future of Japanese Cinem...

Since the era of masters such as Akira Kurosawa and Yasujiro Ozu, Japanese cinema has captivated film lovers worldwide with its distinctive aesthetics and storytelling. In recent years, however, its...

Keishi Otomo Opens the Future of Japanese Cinem...

Since the era of masters such as Akira Kurosawa and Yasujiro Ozu, Japanese cinema has captivated film lovers worldwide with its distinctive aesthetics and storytelling. In recent years, however, its...

New Forms of Historical Cinema: Human Drama in Ryomaden and Beneath the Shadow

New Forms of Historical Cinema: Human Drama in ...

Historical works in Japanese cinema have taken many forms, including period dramas and biographical films. Director Keishi Otomo, however, depicts history and human drama through new perspectives and visual expression,...

New Forms of Historical Cinema: Human Drama in ...

Historical works in Japanese cinema have taken many forms, including period dramas and biographical films. Director Keishi Otomo, however, depicts history and human drama through new perspectives and visual expression,...

Innovation in the Rurouni Kenshin Series: New Ground for Japanese Film Action

Innovation in the Rurouni Kenshin Series: New G...

Action in Japanese films commonly meant period-drama swordplay, wire action, or a style relying heavily on CG. Rurouni Kenshin, released in 2012, renewed that expression and captivated audiences with realistic...

Innovation in the Rurouni Kenshin Series: New G...

Action in Japanese films commonly meant period-drama swordplay, wire action, or a style relying heavily on CG. Rurouni Kenshin, released in 2012, renewed that expression and captivated audiences with realistic...

Keishi Otomo’s Visual Beauty: Direction Beyond the Boundary Between Television and Film

Keishi Otomo’s Visual Beauty: Direction Beyond ...

Although both are audiovisual works, films and television dramas differ greatly in their production approaches. Keishi Otomo crosses this boundary with ease, establishing new visual expression by applying directing techniques...

Keishi Otomo’s Visual Beauty: Direction Beyond ...

Although both are audiovisual works, films and television dramas differ greatly in their production approaches. Keishi Otomo crosses this boundary with ease, establishing new visual expression by applying directing techniques...