HAPIVERI Magazine
The Art of Sound and Music: The Aural Appeal Su...
The overlapping dialogue mentioned repeatedly is one of the most famous features of Hawks's films. Before Hawks, Hollywood conversations generally had one person finish speaking before the next began. Hawks...
The Art of Sound and Music: The Aural Appeal Su...
The overlapping dialogue mentioned repeatedly is one of the most famous features of Hawks's films. Before Hawks, Hollywood conversations generally had one person finish speaking before the next began. Hawks...
Howard Hawks's Film Techniques: Applying Cross-...
Hawks made his directorial debut in the late 1920s and experienced the great transition from silent films to talkies. Even in this period, he already showed a tendency to avoid...
Howard Hawks's Film Techniques: Applying Cross-...
Hawks made his directorial debut in the late 1920s and experienced the great transition from silent films to talkies. Even in this period, he already showed a tendency to avoid...
Hitchcock's Enduring Themes and Influence on Co...
A recurring plot in Hitchcock's films involves an innocent person falsely accused who pursues the real culprit while on the run. In many works, including The 39 Steps (1935), Young...
Hitchcock's Enduring Themes and Influence on Co...
A recurring plot in Hitchcock's films involves an innocent person falsely accused who pursues the real culprit while on the run. In many works, including The 39 Steps (1935), Young...
A Magician of Sound and Music: Hitchcock's Tech...
Hitchcock established a method of increasing tension by contrasting silence with sudden noise. In Sabotage (1936), only the audience knows that a boy is carrying a time bomb. Repeated sounds...
A Magician of Sound and Music: Hitchcock's Tech...
Hitchcock established a method of increasing tension by contrasting silence with sudden noise. In Sabotage (1936), only the audience knows that a boy is carrying a time bomb. Repeated sounds...
Toru Takemitsu and Film Music: Applying Sound D...
An essential starting point for Toru Takemitsu's creative career was his activity with Jikken Kōbō, or the Experimental Workshop, founded with poet Shuzo Takiguchi and others in the early 1950s....
Toru Takemitsu and Film Music: Applying Sound D...
An essential starting point for Toru Takemitsu's creative career was his activity with Jikken Kōbō, or the Experimental Workshop, founded with poet Shuzo Takiguchi and others in the early 1950s....
Shinji Higuchi's Special-Effects Expression: Ap...
Born in 1965, Shinji Higuchi entered the film industry immediately after high school as an assistant sculpting monster suits for 1984's The Return of Godzilla. This was a golden age...
Shinji Higuchi's Special-Effects Expression: Ap...
Born in 1965, Shinji Higuchi entered the film industry immediately after high school as an assistant sculpting monster suits for 1984's The Return of Godzilla. This was a golden age...