HAPIVERI Magazine

記録映画の境界を超えた革命児 羽仁進のドキュメンタリー美学

A Revolutionary beyond the Boundaries of Docume...

Susumu Hani is a revolutionary figure in the history of Japanese documentary cinema. Making his directorial debut in 1952 at just 24, he developed one expressive technique after another that...

A Revolutionary beyond the Boundaries of Docume...

Susumu Hani is a revolutionary figure in the history of Japanese documentary cinema. Making his directorial debut in 1952 at just 24, he developed one expressive technique after another that...

今井正監督の人物描写|社会性と照明を企業動画に活かす視点

Tadashi Imai's Character Portrayals: Applying S...

Listening to Vulnerable Voices Where Literature Meets Cinema While known as a master of socially engaged cinema, Tadashi Imai also devoted his passion to adapting outstanding literature. His An Inlet...

Tadashi Imai's Character Portrayals: Applying S...

Listening to Vulnerable Voices Where Literature Meets Cinema While known as a master of socially engaged cinema, Tadashi Imai also devoted his passion to adapting outstanding literature. His An Inlet...

黒木和雄『美しい夏キリシマ』から学ぶ|記憶を映像制作に活かす

Lessons from Kazuo Kuroki's A Boy's Summer in 1...

There are no gunshots or explosions in this film. The characters quietly live their daily lives, and a boy simply faces the emotions of adolescence. Yet war is certainly present...

Lessons from Kazuo Kuroki's A Boy's Summer in 1...

There are no gunshots or explosions in this film. The characters quietly live their daily lives, and a boy simply faces the emotions of adolescence. Yet war is certainly present...

小林正樹『怪談』の色彩美|恐怖演出を映像制作に活かす視点

The Color Beauty of Masaki Kobayashi's Kwaidan:...

What comes to mind when you hear the words horror film? Sudden screams, dark ruins, splashes of blood? There is a film that perfects a fear within stillness, distinct from...

The Color Beauty of Masaki Kobayashi's Kwaidan:...

What comes to mind when you hear the words horror film? Sudden screams, dark ruins, splashes of blood? There is a film that perfects a fear within stillness, distinct from...

大島渚の映画美学 — 境界を超えた表現の探求

Nagisa Oshima's Film Aesthetics: Exploring Expr...

Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...

Nagisa Oshima's Film Aesthetics: Exploring Expr...

Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...