HAPIVERI Magazine

セリフとリズム:ワイルダーの音響演出とコメディ術

セリフとリズム:ワイルダーの音響演出とコメディ術

ワイルダー作品における会話はウィットとアイロニーに富み、リズミカルなやりとりは登場人物の性格や関係性を浮き彫りにします。『お熱いのがお好き』では掛け合いがジャズのアドリブ演奏のようにポンポンと進み、『ワン、ツー、スリー』では冒頭から猛スピードのセリフ応酬が続き観客を圧倒します。ワイルダー自身、「速く喋ることと映画全体のペースは別物だ」と述べ、各シーンで最適なテンポを計算していたといいます。

セリフとリズム:ワイルダーの音響演出とコメディ術

ワイルダー作品における会話はウィットとアイロニーに富み、リズミカルなやりとりは登場人物の性格や関係性を浮き彫りにします。『お熱いのがお好き』では掛け合いがジャズのアドリブ演奏のようにポンポンと進み、『ワン、ツー、スリー』では冒頭から猛スピードのセリフ応酬が続き観客を圧倒します。ワイルダー自身、「速く喋ることと映画全体のペースは別物だ」と述べ、各シーンで最適なテンポを計算していたといいます。

記録映画の境界を超えた革命児 羽仁進のドキュメンタリー美学

A Revolutionary beyond the Boundaries of Docume...

Susumu Hani is a revolutionary figure in the history of Japanese documentary cinema. Making his directorial debut in 1952 at just 24, he developed one expressive technique after another that...

A Revolutionary beyond the Boundaries of Docume...

Susumu Hani is a revolutionary figure in the history of Japanese documentary cinema. Making his directorial debut in 1952 at just 24, he developed one expressive technique after another that...

黒木和雄:「青春の痛みとやさしさ──『竜馬を斬った男』『祭りの準備』に見る、もうひとつの黒木和雄」

Kazuo Kuroki: The Pain and Tenderness of Youth—...

Many people may associate Kazuo Kuroki with war films. The War Requiem Trilogy he made late in his career is certainly memorable, but before that, he was also a master...

Kazuo Kuroki: The Pain and Tenderness of Youth—...

Many people may associate Kazuo Kuroki with war films. The War Requiem Trilogy he made late in his career is certainly memorable, but before that, he was also a master...

映像詩人・高林陽一: 叙情と幻想が交錯する映画美学

Visual Poet Yoichi Takabayashi: Cinematic Aesth...

Cinema is not merely a storyteller; it is also poetry, and expression as a visual art is important. Director Yoichi Takabayashi, known as a “visual poet,” developed a distinctive aesthetic...

Visual Poet Yoichi Takabayashi: Cinematic Aesth...

Cinema is not merely a storyteller; it is also poetry, and expression as a visual art is important. Director Yoichi Takabayashi, known as a “visual poet,” developed a distinctive aesthetic...

歴史映画の新たな形: 『龍馬伝』と『影裏』に見る人間ドラマ

New Forms of Historical Cinema: Human Drama in ...

Historical works in Japanese cinema have taken many forms, including period dramas and biographical films. Director Keishi Otomo, however, depicts history and human drama through new perspectives and visual expression,...

New Forms of Historical Cinema: Human Drama in ...

Historical works in Japanese cinema have taken many forms, including period dramas and biographical films. Director Keishi Otomo, however, depicts history and human drama through new perspectives and visual expression,...