HAPIVERI Magazine

映像詩人・高林陽一: 叙情と幻想が交錯する映画美学

Visual Poet Yoichi Takabayashi: Cinematic Aesth...

Cinema is not merely a storyteller; it is also poetry, and expression as a visual art is important. Director Yoichi Takabayashi, known as a “visual poet,” developed a distinctive aesthetic...

Visual Poet Yoichi Takabayashi: Cinematic Aesth...

Cinema is not merely a storyteller; it is also poetry, and expression as a visual art is important. Director Yoichi Takabayashi, known as a “visual poet,” developed a distinctive aesthetic...

長谷川和彦『青春の殺人者』から学ぶ|葛藤の人物描写を動画制作に活かす

Lessons from Kazuhiko Hasegawa's The Youth Kill...

Kazuhiko Hasegawa's The Youth Killer was released in 1976, an era marking the end of Japan's rapid economic growth. Based on a real case of gruesome murders committed by a...

Lessons from Kazuhiko Hasegawa's The Youth Kill...

Kazuhiko Hasegawa's The Youth Killer was released in 1976, an era marking the end of Japan's rapid economic growth. Based on a real case of gruesome murders committed by a...

『るろうに剣心』シリーズの革新: 日本映画アクションの新境地

Innovation in the Rurouni Kenshin Series: New G...

Action in Japanese films commonly meant period-drama swordplay, wire action, or a style relying heavily on CG. Rurouni Kenshin, released in 2012, renewed that expression and captivated audiences with realistic...

Innovation in the Rurouni Kenshin Series: New G...

Action in Japanese films commonly meant period-drama swordplay, wire action, or a style relying heavily on CG. Rurouni Kenshin, released in 2012, renewed that expression and captivated audiences with realistic...

大友啓史の映像美: ドラマと映画の境界を越えた演出とは?

Keishi Otomo’s Visual Beauty: Direction Beyond ...

Although both are audiovisual works, films and television dramas differ greatly in their production approaches. Keishi Otomo crosses this boundary with ease, establishing new visual expression by applying directing techniques...

Keishi Otomo’s Visual Beauty: Direction Beyond ...

Although both are audiovisual works, films and television dramas differ greatly in their production approaches. Keishi Otomo crosses this boundary with ease, establishing new visual expression by applying directing techniques...

リアリズムの巨匠 ー 原田眞人監督の表現技法を解析する

A Master of Realism: Analyzing Masato Harada's ...

Perhaps the most distinctive feature of Masato Harada's cinematic expression is its faithful recreation of events based on thorough research. In films based on true stories, such as The Choice...

A Master of Realism: Analyzing Masato Harada's ...

Perhaps the most distinctive feature of Masato Harada's cinematic expression is its faithful recreation of events based on thorough research. In films based on true stories, such as The Choice...