HAPIVERI Magazine

濱口竜介の映画の原点|会話と沈黙を動画制作に活かす視点

The Origins of Ryusuke Hamaguchi’s Cinema: Appl...

Ryusuke Hamaguchi was born in Kanagawa Prefecture in 1978. Interested in stories and visual arts from an early age, he grew up surrounded by books and films. He was particularly...

The Origins of Ryusuke Hamaguchi’s Cinema: Appl...

Ryusuke Hamaguchi was born in Kanagawa Prefecture in 1978. Interested in stories and visual arts from an early age, he grew up surrounded by books and films. He was particularly...

大島渚の映画美学 — 境界を超えた表現の探求

Nagisa Oshima's Film Aesthetics: Exploring Expr...

Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...

Nagisa Oshima's Film Aesthetics: Exploring Expr...

Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...

大島渚『戦場のメリークリスマス』|異文化表現を動画制作に活かす

Nagisa Oshima's Merry Christmas, Mr. Lawrence: ...

Released in 1983, Merry Christmas, Mr. Lawrence is one of Nagisa Oshima's signature films, distinguished by its international cast and original music. The unusual combination of David Bowie, Ryuichi Sakamoto,...

Nagisa Oshima's Merry Christmas, Mr. Lawrence: ...

Released in 1983, Merry Christmas, Mr. Lawrence is one of Nagisa Oshima's signature films, distinguished by its international cast and original music. The unusual combination of David Bowie, Ryuichi Sakamoto,...

長谷川和彦『青春の殺人者』から学ぶ|葛藤の人物描写を動画制作に活かす

Lessons from Kazuhiko Hasegawa's The Youth Kill...

Kazuhiko Hasegawa's The Youth Killer was released in 1976, an era marking the end of Japan's rapid economic growth. Based on a real case of gruesome murders committed by a...

Lessons from Kazuhiko Hasegawa's The Youth Kill...

Kazuhiko Hasegawa's The Youth Killer was released in 1976, an era marking the end of Japan's rapid economic growth. Based on a real case of gruesome murders committed by a...

長谷川和彦『太陽を盗んだ男』から学ぶ|緊張感を動画企画に活かす

Lessons from Kazuhiko Hasegawa's The Man Who St...

Kazuhiko Hasegawa's The Man Who Stole the Sun shocked Japanese cinema in 1979. Its startling premise, in which nuclear power plant engineer Junichi Yaginuma steals uranium-235 and builds a homemade...

Lessons from Kazuhiko Hasegawa's The Man Who St...

Kazuhiko Hasegawa's The Man Who Stole the Sun shocked Japanese cinema in 1979. Its startling premise, in which nuclear power plant engineer Junichi Yaginuma steals uranium-235 and builds a homemade...

大友啓史の映像美: ドラマと映画の境界を越えた演出とは?

Keishi Otomo’s Visual Beauty: Direction Beyond ...

Although both are audiovisual works, films and television dramas differ greatly in their production approaches. Keishi Otomo crosses this boundary with ease, establishing new visual expression by applying directing techniques...

Keishi Otomo’s Visual Beauty: Direction Beyond ...

Although both are audiovisual works, films and television dramas differ greatly in their production approaches. Keishi Otomo crosses this boundary with ease, establishing new visual expression by applying directing techniques...