HAPIVERI Magazine

A Master of Cinematic Innovation: Hitchcock's Camera Work and Editing

A Master of Cinematic Innovation: Hitchcock's C...

Hitchcock was a master at aligning viewers' gaze with a character's, creating empathy or a sense of complicity. He frequently filmed a character from close range directly in front, then...

A Master of Cinematic Innovation: Hitchcock's C...

Hitchcock was a master at aligning viewers' gaze with a character's, creating empathy or a sense of complicity. He frequently filmed a character from close range directly in front, then...

Shinji Higuchi's Special-Effects Expression: Applying Planning and Filming to Corporate Videos

Shinji Higuchi's Special-Effects Expression: Ap...

Born in 1965, Shinji Higuchi entered the film industry immediately after high school as an assistant sculpting monster suits for 1984's The Return of Godzilla. This was a golden age...

Shinji Higuchi's Special-Effects Expression: Ap...

Born in 1965, Shinji Higuchi entered the film industry immediately after high school as an assistant sculpting monster suits for 1984's The Return of Godzilla. This was a golden age...

Hirokazu Koreeda's Approach to Filmmaking: Creating Subtle Human Drama

Hirokazu Koreeda's Approach to Filmmaking: Crea...

Koreeda's experience as a television documentary director is reflected at the heart of his filmmaking. Although a screenplay establishes the overall framework, specific dialogue and actions often emerge from improvisation...

Hirokazu Koreeda's Approach to Filmmaking: Crea...

Koreeda's experience as a television documentary director is reflected at the heart of his filmmaking. Although a screenplay establishes the overall framework, specific dialogue and actions often emerge from improvisation...