HAPIVERI Magazine

Takeshi Kitano’s Visual Aesthetic: A Distinctive Directing Style Woven from “Ma” and Violence

Takeshi Kitano’s Visual Aesthetic: A Distinctiv...

One of the most striking elements in Takeshi Kitano’s films is their distinctive depiction of violence. Characters such as yakuza and detectives often live alongside violence, and extreme scenes involving...

Takeshi Kitano’s Visual Aesthetic: A Distinctiv...

One of the most striking elements in Takeshi Kitano’s films is their distinctive depiction of violence. Characters such as yakuza and detectives often live alongside violence, and extreme scenes involving...

Takeshi Kitano’s Visual Expression: Applying Pauses and Composition to Video Production

Takeshi Kitano’s Visual Expression: Applying Pa...

Takeshi Kitano followed an unusual path from a comedian who swept Japan with the manzai duo Two Beat to a film director. In 1989, Kinji Fukasaku withdrew for various reasons...

Takeshi Kitano’s Visual Expression: Applying Pa...

Takeshi Kitano followed an unusual path from a comedian who swept Japan with the manzai duo Two Beat to a film director. In 1989, Kinji Fukasaku withdrew for various reasons...

A Visual Language Crossing Borders: International Recognition of Kiju Yoshida and His Contribution to Film History

A Visual Language Crossing Borders: Internation...

Kiju Yoshida occupies a unique place in Japanese film history. Alongside Nagisa Oshima and Masahiro Shinoda, he is essential to any discussion of the 1960s Japanese New Wave, and his...

A Visual Language Crossing Borders: Internation...

Kiju Yoshida occupies a unique place in Japanese film history. Alongside Nagisa Oshima and Masahiro Shinoda, he is essential to any discussion of the 1960s Japanese New Wave, and his...

Reality Provoked by the Camera: The Provocation and Ethics of Kazuo Hara's Documentary Method

Reality Provoked by the Camera: The Provocation...

“The camera is a device for encouraging action and bringing it to the boiling point.” These words by Kazuo Hara concisely express his view of documentary. Where conventional documentaries claimed...

Reality Provoked by the Camera: The Provocation...

“The camera is a device for encouraging action and bringing it to the boiling point.” These words by Kazuo Hara concisely express his view of documentary. Where conventional documentaries claimed...

A Treasure of Japanese Cinema Shining Across Borders: The International Reappraisal and Legacy of Heinosuke Gosho

A Treasure of Japanese Cinema Shining Across Bo...

The films of Heinosuke Gosho, a master who shines in Japanese film history, have recently attracted a growing wave of international reappraisal. Although regarded in Japan as a master alongside...

A Treasure of Japanese Cinema Shining Across Bo...

The films of Heinosuke Gosho, a master who shines in Japanese film history, have recently attracted a growing wave of international reappraisal. Although regarded in Japan as a master alongside...

The Extraordinary Within Ordinary Life: The Depth of Yoshihiro Nakamura's Visual World

The Extraordinary Within Ordinary Life: The Dep...

The Extraordinary Within Ordinary Life: The Depth of Yoshihiro Nakamura's Visual World 1. Juzo Itami's Influence and the Attitude of Filming with Enjoyment Born in Tsukuba, Ibaraki Prefecture, in 1970,...

The Extraordinary Within Ordinary Life: The Dep...

The Extraordinary Within Ordinary Life: The Depth of Yoshihiro Nakamura's Visual World 1. Juzo Itami's Influence and the Attitude of Filming with Enjoyment Born in Tsukuba, Ibaraki Prefecture, in 1970,...