HAPIVERI Magazine
The Art of Sound and Music: The Aural Appeal Su...
The overlapping dialogue mentioned repeatedly is one of the most famous features of Hawks's films. Before Hawks, Hollywood conversations generally had one person finish speaking before the next began. Hawks...
The Art of Sound and Music: The Aural Appeal Su...
The overlapping dialogue mentioned repeatedly is one of the most famous features of Hawks's films. Before Hawks, Hollywood conversations generally had one person finish speaking before the next began. Hawks...
Howard Hawks's Film Techniques: Applying Cross-...
Hawks made his directorial debut in the late 1920s and experienced the great transition from silent films to talkies. Even in this period, he already showed a tendency to avoid...
Howard Hawks's Film Techniques: Applying Cross-...
Hawks made his directorial debut in the late 1920s and experienced the great transition from silent films to talkies. Even in this period, he already showed a tendency to avoid...
Toru Takemitsu and Film Music: Applying Sound D...
An essential starting point for Toru Takemitsu's creative career was his activity with Jikken Kōbō, or the Experimental Workshop, founded with poet Shuzo Takiguchi and others in the early 1950s....
Toru Takemitsu and Film Music: Applying Sound D...
An essential starting point for Toru Takemitsu's creative career was his activity with Jikken Kōbō, or the Experimental Workshop, founded with poet Shuzo Takiguchi and others in the early 1950s....
Toru Takemitsu's Major Film Scores: From Woman ...
Toru Takemitsu's career as a film composer began in earnest with Ko Nakahira's Crazed Fruit in 1956. Based on Shintaro Ishihara's novel, this Nikkatsu youth film portrays the decadence of...
Toru Takemitsu's Major Film Scores: From Woman ...
Toru Takemitsu's career as a film composer began in earnest with Ko Nakahira's Crazed Fruit in 1956. Based on Shintaro Ishihara's novel, this Nikkatsu youth film portrays the decadence of...
Junya Sato's Cinematic World: Applying Blockbus...
Director Junya Sato (1932–2019), known as “Mr. Blockbuster,” was sometimes regarded as a superficial entertainer because of his spectacular large-scale films.
Junya Sato's Cinematic World: Applying Blockbus...
Director Junya Sato (1932–2019), known as “Mr. Blockbuster,” was sometimes regarded as a superficial entertainer because of his spectacular large-scale films.
Junya Sato's Direction of Human Drama: Applying...
The film career of Junya Sato (1932–2019), known as 'Mr. Epic,' possesses a depth that cannot be captured by the image of his glamorous large-scale productions alone.
Junya Sato's Direction of Human Drama: Applying...
The film career of Junya Sato (1932–2019), known as 'Mr. Epic,' possesses a depth that cannot be captured by the image of his glamorous large-scale productions alone.