HAPIVERI Magazine
Tatsuya Mori Confronts Social Issues: Japanese ...
A consistent feature of Tatsuya Mori's work is his examination of Japanese society from the perspective of social minorities and those who are excluded. This creative attitude functions not simply...
Tatsuya Mori Confronts Social Issues: Japanese ...
A consistent feature of Tatsuya Mori's work is his examination of Japanese society from the perspective of social minorities and those who are excluded. This creative attitude functions not simply...
Visual Expression across Borders: Junya Sato's ...
Known in Japanese film history as Mr. Epic, Junya Sato (1932–2019) was a rare filmmaker who spent a long career pursuing cross-border perspectives and expression alongside entertainment for domestic audiences.
Visual Expression across Borders: Junya Sato's ...
Known in Japanese film history as Mr. Epic, Junya Sato (1932–2019) was a rare filmmaker who spent a long career pursuing cross-border perspectives and expression alongside entertainment for domestic audiences.
The Birth of a Classic: Our Neighbor, Miss Yae ...
In 1934, the ninth year of Showa, a lasting classic of Japanese cinema was born: Yasujiro Shimazu's Our Neighbor, Miss Yae.
The Birth of a Classic: Our Neighbor, Miss Yae ...
In 1934, the ninth year of Showa, a lasting classic of Japanese cinema was born: Yasujiro Shimazu's Our Neighbor, Miss Yae.
A Pioneer of Everyday-Life Cinema: Yasujiro Shi...
In Japanese film history, the term shoshimin eiga, or lower-middle-class everyday-life cinema, is an important marker of a particular time and place.
A Pioneer of Everyday-Life Cinema: Yasujiro Shi...
In Japanese film history, the term shoshimin eiga, or lower-middle-class everyday-life cinema, is an important marker of a particular time and place.
From Crazed Fruit to the World: How Ko Nakahira...
In 1956, a new talent appeared in Japanese cinema with the release of newcomer Ko Nakahira's debut, Crazed Fruit. Based on Shintaro Ishihara's novel of the same name, this youth...
From Crazed Fruit to the World: How Ko Nakahira...
In 1956, a new talent appeared in Japanese cinema with the release of newcomer Ko Nakahira's debut, Crazed Fruit. Based on Shintaro Ishihara's novel of the same name, this youth...
中平康のビジュアルスタイル｜モダンな撮影を動画制作に活かす視点
1950年代半ば、保守的だった日本映画界に新たな風を吹き込んだのが中平康（1926-1978）でした。日活の助監督から頭角を現した彼は、1956年の『狂った果実』で鮮烈なデビューを飾ります。石原慎太郎の原作を映画化したこの作品で、中平はそれまでの日本映画にはなかったスピーディーなテンポと洗練された映像センスを披露し、戦後社会に台頭した「太陽族」と呼ばれる若者たちの奔放な生態をリアルに描き出しました。
中平康のビジュアルスタイル｜モダンな撮影を動画制作に活かす視点
1950年代半ば、保守的だった日本映画界に新たな風を吹き込んだのが中平康（1926-1978）でした。日活の助監督から頭角を現した彼は、1956年の『狂った果実』で鮮烈なデビューを飾ります。石原慎太郎の原作を映画化したこの作品で、中平はそれまでの日本映画にはなかったスピーディーなテンポと洗練された映像センスを披露し、戦後社会に台頭した「太陽族」と呼ばれる若者たちの奔放な生態をリアルに描き出しました。