HAPIVERI Magazine

The Color Beauty of Masaki Kobayashi's Kwaidan: Applying the Direction of Fear to Video Production

The Color Beauty of Masaki Kobayashi's Kwaidan:...

What comes to mind when you hear the words horror film? Sudden screams, dark ruins, splashes of blood? There is a film that perfects a fear within stillness, distinct from...

The Color Beauty of Masaki Kobayashi's Kwaidan:...

What comes to mind when you hear the words horror film? Sudden screams, dark ruins, splashes of blood? There is a film that perfects a fear within stillness, distinct from...

Yoichi Takabayashi’s Visual Expression and Experimental Cinema: Exploring the Possibilities of Japanese Film

Yoichi Takabayashi’s Visual Expression and Expe...

Japanese cinema is celebrated worldwide for Akira Kurosawa’s period films and Yasujiro Ozu’s tranquil human dramas, but it also includes experimental filmmakers who pursued new visual possibilities. Among them, Yoichi...

Yoichi Takabayashi’s Visual Expression and Expe...

Japanese cinema is celebrated worldwide for Akira Kurosawa’s period films and Yasujiro Ozu’s tranquil human dramas, but it also includes experimental filmmakers who pursued new visual possibilities. Among them, Yoichi...

Learning from Ryusuke Hamaguchi's Evil Does Not Exist: Using Nature and Silence in Video Production

Learning from Ryusuke Hamaguchi's Evil Does Not...

Evil Does Not Exist is a film in which director Ryusuke Hamaguchi focuses on the relationship between nature and human society. Set in a small village, the story depicts how...

Learning from Ryusuke Hamaguchi's Evil Does Not...

Evil Does Not Exist is a film in which director Ryusuke Hamaguchi focuses on the relationship between nature and human society. Set in a small village, the story depicts how...

Learning from Drive My Car: Using Loss and Dialogue in Video Production

Learning from Drive My Car: Using Loss and Dial...

Drive My Car is based on the story of the same name in Haruki Murakami's collection Men Without Women. Director Ryusuke Hamaguchi offers his own interpretation of the source's introspective...

Learning from Drive My Car: Using Loss and Dial...

Drive My Car is based on the story of the same name in Haruki Murakami's collection Men Without Women. Director Ryusuke Hamaguchi offers his own interpretation of the source's introspective...

The Origins of Ryusuke Hamaguchi’s Cinema: Applying Conversation and Silence to Video Production

The Origins of Ryusuke Hamaguchi’s Cinema: Appl...

Ryusuke Hamaguchi was born in Kanagawa Prefecture in 1978. Interested in stories and visual arts from an early age, he grew up surrounded by books and films. He was particularly...

The Origins of Ryusuke Hamaguchi’s Cinema: Appl...

Ryusuke Hamaguchi was born in Kanagawa Prefecture in 1978. Interested in stories and visual arts from an early age, he grew up surrounded by books and films. He was particularly...

Nagisa Oshima's Film Aesthetics: Exploring Expression Beyond Boundaries

Nagisa Oshima's Film Aesthetics: Exploring Expr...

Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...

Nagisa Oshima's Film Aesthetics: Exploring Expr...

Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...