HAPIVERI Magazine
A Magician of Sound and Music: Hitchcock's Tech...
Hitchcock established a method of increasing tension by contrasting silence with sudden noise. In Sabotage (1936), only the audience knows that a boy is carrying a time bomb. Repeated sounds...
A Magician of Sound and Music: Hitchcock's Tech...
Hitchcock established a method of increasing tension by contrasting silence with sudden noise. In Sabotage (1936), only the audience knows that a boy is carrying a time bomb. Repeated sounds...
Shinji Higuchi's Special-Effects Expression: Ap...
Born in 1965, Shinji Higuchi entered the film industry immediately after high school as an assistant sculpting monster suits for 1984's The Return of Godzilla. This was a golden age...
Shinji Higuchi's Special-Effects Expression: Ap...
Born in 1965, Shinji Higuchi entered the film industry immediately after high school as an assistant sculpting monster suits for 1984's The Return of Godzilla. This was a golden age...
Shinji Higuchi and the Future of Tokusatsu Cult...
Shinji Higuchi is a rare figure who stubbornly refused to go overseas even during Hollywood's dominance. In high school, while friends of his generation aspired to Hollywood through their admiration...
Shinji Higuchi and the Future of Tokusatsu Cult...
Shinji Higuchi is a rare figure who stubbornly refused to go overseas even during Hollywood's dominance. In high school, while friends of his generation aspired to Hollywood through their admiration...
Sunao Katabuchi's Visual Direction: Applying Re...
Especially noteworthy is Sunao Katabuchi's strong commitment to 'physicality' in animation. He sees its distinctive pleasure in making a drawn image feel as though a human body truly exists there,...
Sunao Katabuchi's Visual Direction: Applying Re...
Especially noteworthy is Sunao Katabuchi's strong commitment to 'physicality' in animation. He sees its distinctive pleasure in making a drawn image feel as though a human body truly exists there,...