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United Red Army: The Road to Asama-Sanso and United Red Army — Koji Wakamatsu’s Reality of Revolution

United Red Army: The Road to Asama-Sanso and United Red Army — Koji Wakamatsu’s Reality of Revolution

Koji Wakamatsu and Revolutionary Cinema: A Shocking Challenge

Known as a maverick in Japanese cinema, Koji Wakamatsu made particularly shocking films about the United Red Army. He insisted on adapting real events to portray the reality of revolutionary movements, rather than making fiction alone.

Released in 2007, United Red Army: The Road to Asama-Sanso depicts the 1972 Asama-Sanso incident and the internal conflict within the extremist organization behind it. Its direct treatment of actual struggles by left-wing extremists in 1970s Japan delivered a powerful shock to viewers.

Why did Wakamatsu take on this subject, and what revolution did he want to portray? Focusing on United Red Army, this article explores the essence of the revolutionary cinema he pursued.

1. What Is United Red Army?

United Red Army: The Road to Asama-Sanso depicts the reality of an extremist group active in Japan from the late 1960s to the early 1970s. It focuses particularly on purges among members and the eventual Asama-Sanso incident.

The first half shows how left-wing extremists emerging from the student movement turned toward armed struggle. Proclaiming opposition to capitalist society, they organize to bring about revolution. Gradually, however, ideological differences emerge internally and a storm of purges begins.

The second half depicts the United Red Army, cornered by police, barricading itself in Asama-Sanso in Nagano Prefecture. This climax of the United Red Army incidents confronts audiences with overwhelming tension as a recreation of the Asama-Sanso incident that shook Japan.

2. The Reality of Revolution Depicted by Koji Wakamatsu

In United Red Army, Wakamatsu presents the tragedy of a revolutionary movement as an issue relevant today rather than simply a past event. Let us consider the messages he wanted to convey.

① Revolutionary Ideals and Reality

The young people in the film each question capitalism’s inequalities and rise to change society. Yet as they pursue revolutionary ideals, comrades begin testing each other as revolutionary fighters, eventually turning toward the terrible violence of internal purges.

Through the film, Wakamatsu asks audiences what revolution is. Why did people who originally rose to change society end up attacking their comrades? Depicting that contradiction reveals the gap between ideals and reality.

② Resonance with Contemporary Society

The film’s themes are not confined to the past. Even today, some people take extreme actions in excessive pursuit of ideals. Through these young people, Wakamatsu asks the universal question of where opposition to and anger at society should lead.

3. Koji Wakamatsu’s Directing Style: Why Does It Feel Real?

The film’s greatest characteristic is thorough realism. Drawing on contemporary records and testimony, Wakamatsu directed with the utmost fidelity to reality. Audiences consequently feel almost as though they are watching a documentary.

Frequent handheld footage and performance direction avoiding excessive dramatization are particularly effective at conveying tension on the ground. This visual aesthetic is a defining feature of Wakamatsu’s cinema.

4. What United Red Army Left Behind

Wakamatsu made the film as a means of reconsidering society, beyond simply recreating an incident. Audiences are asked why revolutionary ideals became distorted and how we ourselves should change society.

The film also received major recognition in Japan and abroad and is remembered as a masterpiece of revolutionary cinema in Japanese film history. It continues to be screened after Wakamatsu’s death and still shocks many viewers.

Conclusion: The Reality of Revolution Depicted by Koji Wakamatsu

United Red Army: The Road to Asama-Sanso is more than a crime or historical film. Through young people carrying anger at society and ideals for change, it questions our own ways of living.

Wakamatsu neither affirmed nor rejected revolution, but simply portrayed its reality. What viewers felt upon seeing it may have been precisely what he wanted to communicate through cinema.

If you have not seen the film, watch it. It can provide an opportunity to think about society.

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