HAPIVERI Magazine
The Road to Becoming a Filmmaker: Takahisa Zeze...
Born in Oita Prefecture in 1960, Takahisa Zeze was captivated by moving images from an early age. The films he saw at local cinemas left deep impressions on him. In...
The Road to Becoming a Filmmaker: Takahisa Zeze...
Born in Oita Prefecture in 1960, Takahisa Zeze was captivated by moving images from an early age. The films he saw at local cinemas left deep impressions on him. In...
Ryusuke Hamaguchi’s Film Philosophy: Applying Q...
Ryusuke Hamaguchi specializes in portraying human emotions and relationships through dialogue. Conversations between his characters often continue at length, carefully revealing their inner lives. In Happy Hour and Drive My...
Ryusuke Hamaguchi’s Film Philosophy: Applying Q...
Ryusuke Hamaguchi specializes in portraying human emotions and relationships through dialogue. Conversations between his characters often continue at length, carefully revealing their inner lives. In Happy Hour and Drive My...
Learning from Drive My Car: Using Loss and Dial...
Drive My Car is based on the story of the same name in Haruki Murakami's collection Men Without Women. Director Ryusuke Hamaguchi offers his own interpretation of the source's introspective...
Learning from Drive My Car: Using Loss and Dial...
Drive My Car is based on the story of the same name in Haruki Murakami's collection Men Without Women. Director Ryusuke Hamaguchi offers his own interpretation of the source's introspective...
The Origins of Ryusuke Hamaguchi’s Cinema: Appl...
Ryusuke Hamaguchi was born in Kanagawa Prefecture in 1978. Interested in stories and visual arts from an early age, he grew up surrounded by books and films. He was particularly...
The Origins of Ryusuke Hamaguchi’s Cinema: Appl...
Ryusuke Hamaguchi was born in Kanagawa Prefecture in 1978. Interested in stories and visual arts from an early age, he grew up surrounded by books and films. He was particularly...
Nagisa Oshima's Film Aesthetics: Exploring Expr...
Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...
Nagisa Oshima's Film Aesthetics: Exploring Expr...
Nagisa Oshima saw cinema not merely as entertainment but as a means of confronting society. Many of his films contain sharp criticism of social problems and power structures in postwar...
Nagisa Oshima's Merry Christmas, Mr. Lawrence: ...
Released in 1983, Merry Christmas, Mr. Lawrence is one of Nagisa Oshima's signature films, distinguished by its international cast and original music. The unusual combination of David Bowie, Ryuichi Sakamoto,...
Nagisa Oshima's Merry Christmas, Mr. Lawrence: ...
Released in 1983, Merry Christmas, Mr. Lawrence is one of Nagisa Oshima's signature films, distinguished by its international cast and original music. The unusual combination of David Bowie, Ryuichi Sakamoto,...