HAPIVERI Magazine

吉村公三郎の映画との出会い|撮影姿勢を動画制作に活かす視点

Kozaburo Yoshimura's Encounter with Cinema: App...

Born in 1911, the forty-fourth year of Meiji, as the second son of a long-established Kyoto kimono shop, Kozaburo Yoshimura grew up in an artistic environment. A life surrounded by...

Kozaburo Yoshimura's Encounter with Cinema: App...

Born in 1911, the forty-fourth year of Meiji, as the second son of a long-established Kyoto kimono shop, Kozaburo Yoshimura grew up in an artistic environment. A life surrounded by...

黒沢清の空間演出|不安と余白を動画制作に活かす視点

Kiyoshi Kurosawa’s Direction of Space: Applying...

One of the most distinctive techniques in Kiyoshi Kurosawa’s films is the deliberate creation of empty space within the frame. Conventional films direct audiences’ attention toward important action or dramatic...

Kiyoshi Kurosawa’s Direction of Space: Applying...

One of the most distinctive techniques in Kiyoshi Kurosawa’s films is the deliberate creation of empty space within the frame. Conventional films direct audiences’ attention toward important action or dramatic...

巨匠・本多猪四郎の演出術 ~特撮映画における革新的アプローチ~

Master Director Ishiro Honda's Techniques: An I...

Above all, Ishiro Honda's directing methods were characterized by a strong commitment to realism. Even in special-effects films, he studied real animals' movements and reflected them in the effects to...

Master Director Ishiro Honda's Techniques: An I...

Above all, Ishiro Honda's directing methods were characterized by a strong commitment to realism. Even in special-effects films, he studied real animals' movements and reflected them in the effects to...

本多猪四郎と「ゴジラ」|社会性と特撮表現を映像制作に活かす

Ishiro Honda and Godzilla: Bringing Social Them...

Godzilla, made by director Ishiro Honda in 1954, was released in America as King of the Monsters! and sent shock waves through the international film world. Its scenes of urban...

Ishiro Honda and Godzilla: Bringing Social Them...

Godzilla, made by director Ishiro Honda in 1954, was released in America as King of the Monsters! and sent shock waves through the international film world. Its scenes of urban...

本多猪四郎『ゴジラ』の特撮表現|社会性を映像制作に活かす視点

Special Effects in Ishiro Honda's Godzilla: Bri...

In 1954, director Ishiro Honda began producing Godzilla, which would become one of the most influential works in Japanese film history. The project was prompted by the Daigo Fukuryu Maru...

Special Effects in Ishiro Honda's Godzilla: Bri...

In 1954, director Ishiro Honda began producing Godzilla, which would become one of the most influential works in Japanese film history. The project was prompted by the Daigo Fukuryu Maru...

本多猪四郎監督の特撮表現|怪獣映画の演出を映像制作に活かす

Ishiro Honda's Special-Effects Expression: Appl...

Born on May 7, 1911, the forty-fourth year of Meiji, into a wealthy family in Tokyo's Aoyama district, Ishiro Honda would become a director who left a major mark on...

Ishiro Honda's Special-Effects Expression: Appl...

Born on May 7, 1911, the forty-fourth year of Meiji, into a wealthy family in Tokyo's Aoyama district, Ishiro Honda would become a director who left a major mark on...