HAPIVERI Magazine

『虚飾の青春』に見る神代辰巳の生い立ち描写の象徴性

The Symbolism of Tatsumi Kumashiro's Upbringing...

In Youth of Pretense (Kyoshoku no Seishun), Tatsumi Kumashiro's upbringing is portrayed as a past with a complex, labyrinthine structure. The author deliberately scatters depictions of fragmented memories throughout the...

The Symbolism of Tatsumi Kumashiro's Upbringing...

In Youth of Pretense (Kyoshoku no Seishun), Tatsumi Kumashiro's upbringing is portrayed as a past with a complex, labyrinthine structure. The author deliberately scatters depictions of fragmented memories throughout the...

高畑勲の日常描写|アニメ表現を教育動画・企業動画に活かす

Isao Takahata's Everyday Portrayals: Applying A...

<p>Animation may suggest fantasy worlds or grand adventures to many people. Isao Takahata, however, distinguished himself from such spectacular direction by remaining committed to depicting everyday life itself.</p>

Isao Takahata's Everyday Portrayals: Applying A...

<p>Animation may suggest fantasy worlds or grand adventures to many people. Isao Takahata, however, distinguished himself from such spectacular direction by remaining committed to depicting everyday life itself.</p>

塚本晋也の映画技法|手持ちカメラと音響を動画制作に活かす視点

Shinya Tsukamoto's Film Techniques: Bringing Ha...

If you have seen a Shinya Tsukamoto film, its camera work is probably one of the first things that catches your eye. His films, including his landmark Tetsuo: The Iron...

Shinya Tsukamoto's Film Techniques: Bringing Ha...

If you have seen a Shinya Tsukamoto film, its camera work is probably one of the first things that catches your eye. His films, including his landmark Tetsuo: The Iron...

塚本晋也『鉄男』から学ぶ映像表現|低予算制作と編集の工夫

Learning Visual Expression from Shinya Tsukamot...

In 1989, a shocking film emerged. Tetsuo: The Iron Man is a truly unconventional work whose crazed monochrome images and noise-like sound overwhelm viewers.

Learning Visual Expression from Shinya Tsukamot...

In 1989, a shocking film emerged. Tetsuo: The Iron Man is a truly unconventional work whose crazed monochrome images and noise-like sound overwhelm viewers.

静謐なる美学 ―― 吉村公三郎の映像表現技法

The Aesthetics of Tranquility: Kozaburo Yoshimu...

The most distinctive feature of Kozaburo Yoshimura's filmmaking is his restrained directorial style. Avoiding excessive emotional expression and flashy camera work, he weaves stories into quiet compositions. This approach is...

The Aesthetics of Tranquility: Kozaburo Yoshimu...

The most distinctive feature of Kozaburo Yoshimura's filmmaking is his restrained directorial style. Avoiding excessive emotional expression and flashy camera work, he weaves stories into quiet compositions. This approach is...

吉村公三郎が描く人間模様 ―― 「甘い秘密」(1953)の世界

Kozaburo Yoshimura's Portrayal of Human Relatio...

Produced by Shochiku in 1953, Amai Himitsu was directed by Kozaburo Yoshimura. Set against Japanese society during postwar reconstruction, it portrays the daily lives and subtle emotions of people living...

Kozaburo Yoshimura's Portrayal of Human Relatio...

Produced by Shochiku in 1953, Amai Himitsu was directed by Kozaburo Yoshimura. Set against Japanese society during postwar reconstruction, it portrays the daily lives and subtle emotions of people living...