HAPIVERI Magazine
Visual Technology and Cross-Genre Direction: An...
At the heart of Wilder’s visual technique was the belief that “showy shots distract the audience from the story.” Especially in his later work, he avoided moving the camera or...
Visual Technology and Cross-Genre Direction: An...
At the heart of Wilder’s visual technique was the belief that “showy shots distract the audience from the story.” Especially in his later work, he avoided moving the camera or...
The Evolution of Billy Wilder's Film Technique:...
Wilder first distinguished himself as a screenwriter and began directing in Hollywood in the early 1940s. His early works were often serious dramas and suspense films, and they helped establish...
The Evolution of Billy Wilder's Film Technique:...
Wilder first distinguished himself as a screenwriter and began directing in Hollywood in the early 1940s. His early works were often serious dramas and suspense films, and they helped establish...
Toru Takemitsu and Film Music: Applying Sound D...
An essential starting point for Toru Takemitsu's creative career was his activity with Jikken Kōbō, or the Experimental Workshop, founded with poet Shuzo Takiguchi and others in the early 1950s....
Toru Takemitsu and Film Music: Applying Sound D...
An essential starting point for Toru Takemitsu's creative career was his activity with Jikken Kōbō, or the Experimental Workshop, founded with poet Shuzo Takiguchi and others in the early 1950s....
Lessons from the Major Works of Tatsuya Mori: P...
The work that made director Tatsuya Mori widely known was the 1998 documentary A. Centering on Hiroshi Araki, then deputy head of public relations for Aum Shinrikyo, it filmed the...
Lessons from the Major Works of Tatsuya Mori: P...
The work that made director Tatsuya Mori widely known was the 1998 documentary A. Centering on Hiroshi Araki, then deputy head of public relations for Aum Shinrikyo, it filmed the...
Visual Expression across Borders: Junya Sato's ...
Known in Japanese film history as Mr. Epic, Junya Sato (1932–2019) was a rare filmmaker who spent a long career pursuing cross-border perspectives and expression alongside entertainment for domestic audiences.
Visual Expression across Borders: Junya Sato's ...
Known in Japanese film history as Mr. Epic, Junya Sato (1932–2019) was a rare filmmaker who spent a long career pursuing cross-border perspectives and expression alongside entertainment for domestic audiences.